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Grateful Dead Live at Edmundson Pavilion - University of Washington on 1974-05-21




Set 1

Me And My Uncle
Brown Eyed Women
Beat It On Down The Line
Deal
Mexicali Blues
It Must Have Been The Roses
The Race Is On
Scarlet Begonias
El Paso
Row Jimmy
Money Money
Ship Of Fools
Weather Report Suite Prelude ->
Weather Report Suite Part ->
Let It Grow ->
China Doll

Set 2

Playing In The Band
U.S. Blues
Big River
Stella Blue
Around And Around
Eyes Of The World ->
Wharf Rat ->
Sugar Magnolia

Encore
Johnny B. Goode


Collection GratefulDead
Band/Artist Grateful Dead
Venue Edmundson Pavilion - University of Washington
Location Seattle, WA

Source Sony ECM18N -> Cassette Master (Sony 152SD)
Lineage Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16
Taped by Pat Lee
Transferred by Charlie Miller

Notes

Notes:
-- Thanks to Pat Lee for lending me his masters

Reviews

Reviewer: geobuff - - January 8, 2015
Subject: Playin'
For me, the most peaceful moment of any Dead tune is when they break into the first jam in Playin'. It's like they gently push away from a dock and float away. Beautiful.
Reviewer: Wally Gator - - February 12, 2012
Subject: Just leave it to Charlie
Of the Audience recordings of this show, this one sounds the best on my computer. Another good sounding Aud is the Amick/Prescott version of this show.
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Source: Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100; Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
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Source: Sony D6 Cassette Master>Sennheiser 441 Mics>Sony TC- We 325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac.
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Source: Taper: M. Laurentus; Taper Section: Section H, Row 30, Seat 1; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
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Source: Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240; Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard
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Source: Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM
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Source: source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris